The Vulnerability Evoked in Failing to Capture the Mind's Ceaselessly Combusting Ephemera


Recently I finished this painting, "The Vulnerability Evoked in Failing to Capture the Mind's Ceaselessly Combusting Ephemera" and damn it felt good. My focus had been steadily worsening over the past few months and I just couldn't seem to keep a single thought in my head, or stay on task for more than a couple minutes at a time. Quieting the mind was impossible and thoughts were entering and flying out of my head at a rate comparable to a hallucinogenic journey. I was feeling, defeated, tired, weak and desperate to grasp a hold of my sanity above the surface while weight steadily tugged me under. I'd honestly thought I was beginning to lose my mind and started seeking help.

Shifting from a self destructive workaholic night owl into a parent and provider was a hell of a transition this past year and a half. Since becoming a father, my love, dedication, fear and "scatterbrain-ness" have intensified tenfold. Our daughter is incredible, but unfortunately not a sleeper. It'd been 1.5 years and my little gal still had yet to sleep through the night. I'm not complaining, just saying it's been really nice these past couple weeks now that she's learned to self-sooth and finally sleep through to the early morning. Since then, much of my clarity has returned and I can focus on tasks again such as typing this. So looking back, lack of sleep was definitely the biggest culprit. Also, multiple injuries kept me from exercising and my ever-amassing workload kept me from leaving the house/studio very often. No bueno.


I started this particular piece some time ago and put it on the back burner. In hindsight, I suppose I had a hard time getting back to it because it reminded me of all the frustrating roadblocks I was going through that would lead to this end result. Also, more and more time was lapsing since my last series while I conceptualized, sketched and accumulated materials for upcoming large scale and longer-term projects. I'm excited about the upcoming work, but it doesn't provide the satisfaction achieved by a timely completion.

Something weird happens if I don't paint for a month or so. As each day passes it get's harder and harder to get back into it. Fears start to creep in and the self introspection and questioning arises that, unfortunately for me, tends to lean on the darker side. Compound that with the frustration of the business side of art and other hindrances that cloud inspiration and fuel procrastination and I soon begin to over-analyze everything to the point of exhausting apathy. It gets easier to ignore your fears and handle life's boring, sometimes mindless tasks instead of delving back inside your own head to confront everything that's been bottling up and still waiting for you there.

Although I do often enjoy art-making, for the most part it's extremely stressful. The sketching and conceptual side and the gratification of finishing are really the only parts that don't make my stomach seize up and riddle my mind with anxiety. It's not relaxing in any way to constantly confront your fears and analyze, evaluate and dissect yourself and what you put into this world. No happy little trees over here (RIP Bob Ross). That said, I know that being hard on yourself and forcing unrealistic pressures into your daily life is stupid, pointless, and nothing but a self-induced sword over your head, but it's all I know and in the end is the reason my ideas actually come to fruition.



So, I've learned a few things in writing out these thoughts. It's best to never stop producing, try your best not to be hard on yourself, and sleeping is really fucking important.

We Own the Night: The Art of the Underbelly Project


Just got my copy of We Own the Night: The Art of the Underbelly Project and finally got the chance to look through this 240 page beast in detail. So, I thought I'd share the time lapse from my contribution and a few photos.


Photo by Luna Park





The books are now available in bookstores and online. Additionally and just released this morning are the few remaining collector's editions from their Miami debut. They are available exclusively through the fine folks at Vandalog and include the hardcover book and 9 prints inside an etched oak box displaying all the artists and dates.


About the book

From early 2009 to mid-2010, the Underbelly Project was the world’s best-kept urban art secret. This is the only book documenting the project, during which the world’s leading urban artists, such as Swoon, Revok, Logan Hicks and Ron English, made late-night trips to an abandoned New York City subway station, painting night after night to transform the space into the largest underground art gallery in the world.

When curators Workhorse and PAC declared the project finished, there was no opening to show the work. In fact, the space’s location remains a secret kept by the MTA, which boarded up the space, making it, like the cave of Lascaux, a time capsule for future generations to discover.

The book includes three hundred photographs documenting the project and the participating artists’ stories of secret expeditions, ranging from the hilarious to the suspenseful. With texts from artists such as Dan Witz, Elbow Toe, Jeff Soto, and Miya Ando, and a forward by Eric Haze the result is an extraordinary contribution to urban history and the annals of street art. 

About the Author

Workhorse is a New York–based urban artist who has shown his work around the world. He considers the Underbelly Project the ultimate forum to spotlight urban subculture. PAC is a native New Yorker, artist, and activist. His artwork revolves around the intersection of public and private media in our shared environments. Eric Haze aka HAZE is a well-known New York graffiti artist and designer. Some of his works include the now iconic early hip-hop logos for Public Enemy, EPMD, LL Cool J, and others.

Steal this Art




Steal This Art will drop this "Regurgitating Progress" print on Monday, February 13th for 24 hours only. Starting at 8am (PST) they will be offering a limited edition of 50 prints priced at only $40!

Check out Steal This Art to learn more about why they do what they do and to nab one of these before they're gone.

Police Brutality Coloring Book

Looking for a perfect gift that celebrates peace this holiday season? How about a Police Brutality Coloring Book:

This is an art project/zine (not for kids). 46 contemporary artists have contributed drawings in response to the recent wave of excessive force used by the police in U.S. cities.

Noah Becker, Tim Biskup, George Boorujy, Kevin Bourgeois, Paul Brainard, Sam Crees, Daniel Davidson, Joel Dugan, EHF, Steve Ellis, Shepard Fairey, Ryan Ford, Dawn Frasch, Brandon Friend, Eliesha Grant, Rebecca Goyette, Maya Hayuk, Liz Insogna, Aaron Johnson, Emily Noelle Lambert, LMNOP, Alfredo Martinez, Lorenzo Masnah, Jason Mitchell, Adriano Moraes, Daryll Peirce, Taylor James Pierce, Jonathan Podwil, Pork, Quel Beast, Nic Rad, Ron Richter, Christine Rucker, Michael Scoggins, Scott Sjobakken, Harley Smart, Andrew Smenos, Adam Suerte, ErlandTait, Pamela Tait, Sam Trioli, Trustocorp, Erik Volet, Chase Winkler, David Yow, and it's creator Joe Heaps Nelson.


"It's a 48 page old school zine and the most punk rock thing I've done in years. I want to thank my immensely talented friends for making this project go from dream to reality in 6 seconds." - Joe Heaps Nelson

Buy it for $12 here: http://policebrutalitycoloringbook.com

Art Basel 2011

Going to Miami again this year for the art overload clusterfuck that is Art Basel was a last minute decision, but well worth it. After meeting up with some LA/NYC homies, the first stop was the Underbelly Project. Basically, 103 artist were snuck into an abandoned NYC subway station 4 levels below the city two at a time over a year and a half to complete a hidden museum of street work. The project had recently expanded to Paris. This was an exhibit showing a selection from 20 artists as well as an Underbelly book release and signing.


Pants from PAC unwashed for the entire length of the project and this sketchy ladder that made climbing underground in pitch blackness feel like an Indiana Jones adventure.




An epileptic inducing wall showing time lapses of all 103 artists work. Yes, this is the best photo I took of it here with photobomber Logan Hicks. Reminds me of the infamous sasquatch photo.



The book is amazing and I recommend picking one up. Published by Rizzoli and available now.  


This limited box set edition of 100 was released at the signing and featured all artists and the dates they went down etched into the face of an oak box which held the book and prints.


Drawing and writing names alongside Jim Darling, HAZE and Ron English. This was the only hour of responsibility I had the whole trip.



Jim and Tina Darling created a meticulously detailed subway car out of upcycled wood.


Have a seat and watch Style Wars again.


Hard to show the intricacies involved with this thing.


Over 2 tons.


Mark Jenkins


Dabs & Myla


Logan Hicks


Meggs


Our walls weren't really that interesting so Jim Darling and I asked business owners if we could paint their spot. The friendly folks of Fairy Shoes gave us not only the spot, but ladders too–a precious commodity during this week.


The owners were sketched out about using the tall ladders so I made sure to roll sketch a character up high the night before so we'd have to use 'em. 


We invited Dan Weise, Hox, Galo, Brian Butler and Josh Taylor to get down. Cheers to hodge podgery. 









The Deuce!


I saw so much amazing work (duh) and here's a tiny sampling of works that I managed to take photos between camera issues.








Brett Amory at ArtsFund


Hanging wire/mesh sculpture




Rime faces wall


How and Nosm detail






Logan Hicks


Pixel Poncho



Ewok


A sampling from Primary Project's "Here Lies Georges Wildenstein" exhibit.



Miru Kim created quite a stir with her living installation, "The Pig That Therefor I Am" in which she spent 100 hours living nude alongside two pigs in a glass enclosure which voyeurs could observe.


Shanky shanky




I found a couple pieces that softly reminded me of some of my similar concepts. The pieces are obviously vastly different in approach, scale, concept and $, but just a bit similar s'all.



Taking a joke to the fullest extent.


A joke that never went beyond a sketch.


Spent one evening at these collectors' house. Great artwork all over, but my favorite was there TV room floor/couch.


Right near the beach boiiiiii!